Thank you for visiting!
  • Home
  • Video
  • Pictures
  • About
    • Resumé
  • Blog
  • Contact
  • Published Works
  • Upcoming Recitals

Q: Why is it difficult to play between the black piano keys?

11/9/2019

0 Comments

 
Piano keys are a fulcrum and as we all know from being children, fulcrums are lightest on the edge. Sit on a see saw and notice if you sit inward, you weigh less and the opposite person has the advantage. Sit on the very outside edge and you weigh more.


So, playing on the outside of the piano key gives you more power and the keys are easier to depress because they require less force. If you play on the inside of the key, in the black area or, closer to the fulcrum, the keys will be harder to depress.
However, this is only predominately true if you have poor technique. There are several ways to give the arm more power to the fingers such as proper alignment, rotation, in and out motions because your fingers are different lengths and a fulcrum unto themselves, gravity and basic laws of physics such as every motion must have an equal and opposite motion.  Then, there are things not to do which if we do, will weaken or diminish our virtuosity. 
Some teachers just teach dot matching and don’t have a knowledge of physics, biology and ergonomics. If your teacher doesn’t know what a pronator is or how to adjust the elbow so the four and five fingers are just as strong as the other fingers . . . that teacher may hurt you.  If you are lucky, you will only be mediocre.

Picture
0 Comments

Q: For guitarists, what type of practicing helps you get your playing skills back the fastest?

11/2/2019

0 Comments

 
I am a pianist but I’m sure that my answer correlates.

Technique is in your brain, not in your muscles. You brain hard wires movement which we call muscle memory but, it originates in your brain. That is why you never forget how to ride a bike or swim because the act of balance and using all those ancillary muscles gets mapped directly into the brain through the initial trial and error.

There are two ways to move: properly and improperly. Virtuosos move properly thus, they have virtuoso techniques. People without virtuosity simply move improperly and those improper movements get in the way of proper movement. Much like two people engaged in a three legged race. Both of you must perfectly sync your movements together in order to move freely and efficiently. If one doesn’t, anarchy reigns. Likewise, within our arms are muscles which must work in sync. If they don’t, we are mediocre at best.

When you first touch your instrument you brain makes those neural pathways and if you move improperly that improper movement becomes your permanent technique. Quite simply, you are using the wrong muscles to play and you will forever battle those bad habits. It is possible to brow beat strength and endurance into those wrong muscles and make progress but the day you skip practice, your body immediately begins to atrophy what it doesn’t need and you will feel rusty.

Proper technique uses the laws of physics and ergonomics and never atrophies because gravity requires no muscle. Pianists, for instance, think they depress the keys with their fingers but the fingers have no muscles. They are moved by the flexor muscles in the forearm and they are all interconnected with each other and also with the extensors. Each muscle moves one bone in one direction and there is an opposing muscle to move it back. If you use two muscles at the same time to move one bone, you will create tension, cramps, fatigue, injury or if you are lucky, play poorly. Even the slightest imbalance will create tension. This often happens when a musician isolates a finger. You can not extend and flex at the same time. Even though you can, you should not because they are still interconnected and they will be pulling on one another creating tension.

Proper playing is actually the result of several movements coming together so no single muscle is taxed through repetition. For pianists, this is called shaping. These multiple muscles include the pronator, supinator, shoulder, elbow and most importantly, gravity. Gravity never fatigues, it is always there. I don’t play guitar but I am going to guess that you never have to strum down because gravity or the weight of the arm will play down. Your only job is to play up. If you remember from HS physics, every motion has an equal and opposite motion. As a pianist, I can’t play down unless I first play up. If you sit at a piano, play a chord. Notice that you must play up, first. Up is the only work because down is effortless. Many pianists go wrong there because they press into the keybed. Since they can’t go any further and it creates no additional tone, then why press? It only creates tension and worse, prevents them from playing up because they are pressing down. You can’t move in two directions at the same time.

There are also muscles we should never use such as the abductors. Again, you can’t use two muscles at the same time. If you flex and abduct simultaneously, you are pulling one bone in two directions and the tendons are what will bear the brunt of this vector force and that is where cramps, fatigue or uneven playing comes from.

Go with gravity. Don’t fight it or try to force it. Remember from HS physics, if you push on a wall, it is pushing back with equal force. The wall will always win. Relaxation only comes from effort but it must be from the equal and opposite direction. Like walking. In order to propel your body forward, one foot is behind you pushing backward. In order to walk up stairs you must lift UP one foot higher than the step then come down on to it, using gravity. Although, I have heard people stomping up stairs. Swing a bat, throw a ball, kick a can . . . they all start with equal and opposite motions. Even your car rolls forward because its tires are pushing backward. Physics is not a useless class in HS that you don’t use in real life. It is everywhere in everything. Use it.

Get the laws of physics into your playing and you will never be rusty. Your technique will be there every day, even with several consecutive off days. Practice doesn’t make perfect. Perfect practice makes perfect.
0 Comments

Q:  What is “trigger finger” in the thumb, and what is the best way to treat it if you are a musician that uses his fingers a lot?  A:  You didn't mention your instrument.Trigger Finger or, stenosing tenosynovitis, is a condition where your finger

10/23/2019

0 Comments

 
0 Comments

Optical Illusions

10/26/2018

0 Comments

 

Are you looking for a fun activity to do outdoors with your kids or youth group?  All you need is a camera, an eye for location and a subject (with a solid core) who can hold a pose.  Very little photo editing is required.

First, take a hike.  Check with local hiking groups and online websites to find hikes that are appropriate for your age children then take them to the summit.  Bring lots of water and snacks.  Don't forget the water and bring plenty of water.  Did I mention not to skimp on the water? Bring more water than Brett Kavanaugh drinks beer.  I like beer.

Whatever mountain you choose, if you are not an experienced hiker, read trail reports to figure out how long a round trip will take.  Plan accordingly.  Bring flashlights (along with water) in case you miscalculate.  Chances are you live near an area with short one or two hour hikes.  You can also do a Google Image search of your chosen peak so you can see pictures of the summit that other hikers have taken and plan your photo layout in advance.

Then, look for a ledge, large flat slabs of granite or a large rock (erratic) that they can lay on.  What is important is for the camera to get either high or low enough to catch the subject but with either only sky or rock in the background.  If you catch any trees in the background you will have to do some editing for everything in the background will belie the optical illusion. This is why you may have to hike to the summit of the mountain and look for layered ledges or a large erratic.  If you try this on a slab of granite, make sure there are no shadows from trees or people which will give away the illusion.

Once you find your location, safety always comes first.  Do you know what the leading cause of death is while hiking?  The selfie.

Find a crack or bulge in your rock and have your subject lie down on their side below it with their bottom arm stretched up to the crack or bulge (a more realistic picture will have their arm at a right angle).  They must lie in a straight line.  Their upper arm should be relaxed but held up in the air pointing toward their feet.  Their head can be angled downward and their eyes can look all the way down toward their feet.  This is the "acting" part to give the illusion of awe of the height.  Too much acting will look fake.  Anyone brave enough to climb a cliff won't have the look of fear on their face.  Likewise, a real climber would not hang by his fingertips and smile for a camera. Real climbing is serious business and poses often look fake or at least, not dangerous. This should look like a candid pic snapped in the midst of action.

Now the hard part.  The subject needs to raise both feet and legs off the ground.  At least the upper leg.  Point the toes downward, this is very important.  Likewise, the arm should have the relaxed grace of a ballerina.  After the picture is taken, load it into a photo editor and simply rotate it once in the proper direction then save it. 

Another tip to ensure that the photo looks as real as possible, the subject shouldn't wear loose clothing, loose long hair and, their shoelaces should be tucked in.  Gravity will grab anything it can to make your photo look fake.
Picture
Picture
Picture
Picture
0 Comments

Halloween Organ Concert Ideas

10/25/2018

0 Comments

 
0 Comments

Organ Concert

6/2/2018

0 Comments

 
Free organ concert with Malcolm Kogut at Foothills Methodist in Gloversville.  June 3 at three. Free.  Here is a sample (Flight of the Bumblebee):
0 Comments

Point of Sound

4/30/2018

0 Comments

 
One of the causes for strain, stress, injury and other maladies pianists, organists and typists experience is simply that they press too hard into the keybed of their device or instrument. Let's first take a look at sports and then physics (that HS subject you think you don't use in real life). 

As a baseball player stands at home plate and the ball is hurtling toward him, he back-swings, forward swings, hits the ball, then all the energy left over from the swing dissipates into the follow through.  The same action occurs when an athlete swings a tennis racquet, kicks a ball, swings a golf club, punches someone, throws a ball, etcetera.  That is Newton's third law of physics that every action has an equal and opposite action.  In order to forward swing, one must first back swing.  Even when we walk forward, as one leg is extending up and forward, the other leg is pushing backward.  So according to the laws of physics, in order to type or play the piano down, one must first lift up.  Many of us were trained or taught to play or type from a resting and relaxed position which actually creates tension because holding a position requires effort.  So we know that everything requires an opposite motion and a follow through.  I bet all you smart kids out there know exactly where I'm going with this.

Now imagine that our baseball, tennis, soccer, golf, football players or boxers are standing before a concrete wall and they backswing then forward swing but instead of hitting an object and following through, they strike the immovable wall.  All the energy of the swing, instead of following through and dissipating, ricochets back into the athlete.  That can hurt. 

A piano is much the same.  Many pianists press into the keybed of a piano and not only does that fail to produce any more of a tone but, all the energy of pressing down is being transferred back up into their finger joints and tendons.  We often don't notice this until after an hour or so of practice or the next morning when we wake up with stiff fingers.  We are taught by bad teachers "no pain, no gain."  In this case, it is very much a lie.  No pain, no gain is fine when building muscle but not for bones, joints, tendons, ligaments and certainly not for our technique.  Often poor technique, strain or missed notes are a result of what we are not doing rather than what we are doing and often we are using the wrong muscles.

Sit at any acoustic piano and very slowly, depress a key so you don't play a sound.  At some point you will hit a little bump in the action, then press through it and you will hit the keybed.  That little bump is the point of sound once you actually play. 

As a pianist drops the controlled weight of their arm onto a key, they must use Newton's third law.  As they hit the point of sound, much like an athlete striking a ball, they must then follow through without hitting the keybed.  When they press into the keybed, not only is their energy backfiring but, they are pressing down and according to Newton, we can't set up for the up motion if we are pressing down.  This hinders technique.  You can't play down if you don't play up and you can't play up if you are pressing down.

So, the key and cure to playing without tension or pain is learning to play to the point of sound and simply following through and not pressing into the keybed.  Unbeknownst to most teachers, their students press into the keybed.  It is a motion that is often invisible.  When a student experiences problems with technique or pain, the teacher often says practice more or run exercises to build strength and endurance and the teacher is often oblivious that the way the student practices is what needs to be addressed, not a clock.

Danger Will Robinson. Before anyone tries to learn to play to the point of sound, there are other components of technique which must first be in place.  This includes controlling arm weight, controlling up/down, controlling in/out from the shoulder and elbow, using the fulcrum of the elbow, controlling rotation of the forearm through the use of the pronator and supinator muscles.  Likewise, there are movements to avoid such as abduction, curling the thumb under the palm, isolating a finger, equalizing fingers, radial and ulnar deviation, and trying to play too relaxed, still and quiet.

A virtuoso technique looks like it is effortless and relaxed.  That is true, the fingers are relaxed because the arm does all the work.  Observers are often looking at the pianist's hands and fail to notice the elbow and arm is actually doing most of the work.  Pianists who attempt to play from the fingers and have fatigue, are told to relax so, they relax the same muscles they are continuing to use and they achieve nothing.

Once all of the proper motions are achieved and the improper ones eradicated, point of sound will just happen. Some "techniques" such as the Russian Technique, surreptitiously imbue the pianist with these movements but personally, I would rather learn the physics and ergonomics of movement rather than being tricked through mindless imitation.  Although, it works to some degree. Where it fails is when a pianist encounters a passage they can't execute and if they knew the mechanics of the arm, would be able to figure out what sort of adjustment is required to play that passage.

I once studied with a leading concert pianist in my area who didn't know what he was doing but had a phenomenal natural technique.  His instruction to me was to watch him play then imitate his motion.  That would have been fine but I already had bad habits hardwired into my brain which were getting in the way.  Since he didn't know anything about ergonomics nor physics, he had no idea how to fix me other than prescribing "practice more."

I once gave a lecture on this topic and a pianist disagreed with me about Newtons third law citing that the piano is down, not up.  The finger must come straight down onto a key.  If the pianist is playing with a "still and quiet hand" and they must also play black keys,   note that the black keys are higher than the white keys.  This results in the still and quiet pianist to stretch or twist to reach those keys which in turn create vector forces or, two muscles pulling one bone in two directions simultaneously.  This creates tremendous imbalance in the arm which controls the hand and fingers and this leads to an incoordinate technique.  Keep in mind your fingers have no muscles.  They are moved by the flexor muscles in your forearm so that is where the pianist must first play from. 

If you were to walk up stairs, your ascending leg would lift HIGHER than the next stair, then come straight down onto it.  If you tried to walk upstairs without lifting your foot higher than the step, you'd trip.  Playing the piano is the same.  We must use the larger muscles of the arm to get the fingers higher than the notes we are desirous to play.  Of course as we become more efficient, we minimize the height but make no mistake, although it may appear invisible, it is still there. Hanon knew this and prescribed the pianist to isolate one finger and lift it high but, this isolation engages the flexors and extensors at the same time resulting in strain to the long flexor tendons which leads to median nerve entrapment (AKA carpal tunnel syndrome). Remember the arm, hand and fingers can only move in one direction at a time.  By abducting, for instance, the hand gets pulled in two or four directions despite the pianist trying to play a passage in a specific direction.

I have no conclusion to this post other than don't try this at home.  Find a teacher who knows what a pronator and abductor is and work from there.
0 Comments

Halloween Organ Recital

10/11/2016

0 Comments

 
Join the Foothills Methodist Church, 17 Fremont St. in Gloversville on Sunday, October 30, at 3:00 p.m. in the church sanctuary for an exciting Halloween organ recital featuring a smorgasbord of classics, favorites and surprises. Malcolm Kogut will perform pieces such as the vivid and bristling with energy Dubois Toccata and the ubiquitous Toccata in D Minor by J. S. Bach.  Other music will include Queen's "Bohemian Rhapsody," Boellmann's famous suite Toccata, and  "In the Garden." The organ recital is free and open to the public.


0 Comments

Musicians Warming Up

9/10/2016

0 Comments

 
Every once in a while I come across a piano teacher or musician who think that they need to stretch their hands or run scales to "warm up." The myth behind warming up is that you are able to isolate a body part such as the hands and move them to warm them up.  If that were true, the blood that you think you warm up in your hands while moving them, because of circulation, doesn't stay there.  It circulates throughout the rest of the body meaning "cold" blood is coming back into the hands.  Furthermore, you are not warming up the blood or muscles, the blood is already at its maximum temperature.  The real issue is circulation.

A danger in moving cold hands or other body parts is that the elasticity of the muscles and tendons are compromised because they are in a contracted state and if you try to move cold body parts fast, you can cause damage to the tissue such as micro tears and pulls to either the muscles or the tendons.  Slow movement and in the medium range of motion is always advised when the extremities are cold.

When the body is cold, the blood is kept near the core vital organs and circulation is slowed to the extremities such as the hands and feet. That makes our hands and fingers feel cold and stiff.  Stretching is not a solution and our teachers and coaches have been teaching this mistruth about stretching for years.

When you stretch beyond the mid range of motion you are creating micro tears in the muscle tissue or tendons and the body's response is to rush blood to that site to both immobilize and repair the damage.  This process gives us the sensation of "warming up" when in reality we are damaging our tissue structures. Whenever we move, we must only move as far as the mid range of motion, not the extreme where we will stretch, tear and damage tissue.

There are actually two categories of muscle, fast twitch and slow twitch.  Musicians should take the time to learn which ones are which and how to utilize them in their craft.  Even so, forcing fast twitch muscles to move fast or to stretch them when they are cold and in their contracted state could damage them.  Think of your muscles as being like warm gravy.  The gravy can easily pour out of the bowl when it is warm.  Now put the bowl in the fridge for half an hour and note that it no longer pours fluidly.  You can't just run a spoon through the gravy to warm it up, it needs to come out of the fridge and be warmed totally.
    
If you have a teacher or coach who prescribes stretching and isolation exercises to warm up the body, find another teacher.  It is not their fault that they have been given erroneous information themselves from their own teachers, but, their ignorance on the subject can cause you permanent damage.  Ignorance is not bliss if it results in tendon, nerve or muscular disorders.  That is like going to a mechanic who says that your tires are bald but you can probably get away on them for another few months. He may be the best mechanic in the world but he is risking your life.

If one wishes to truly warm up the body and consequently the hands, one needs to sit in a warm room so that the whole body warms up, not just the part they are going to use.  Another solution is to do some mild whole body movement to get the blood pumping throughout the circulatory system.  

There are mini steppers on the market for under $50 that a musician can take to a gig with them and use in the green room before a performance. After doing twenty minutes or about 2,000 steps on one of those, the blood will be circulating efficiently throughout the whole body and one may even break a small sweat.  You won't have to warm up your legs because you've already been walking all day and, movement that is well known such as walking is as simple as the brain turning on and off a switch.  One doesn't need to warm up to remember how to ride a bike.  The brain just knows what to do, like flicking a switch.

Conditioning is important, too.  If you can only do three minutes on the stair stepper before fatigue sets in then you're not going to achieve a full body warm up in that amount of time so, it would behoove you to do this every day so the body is conditioned to work at that level without fatigue.  One doesn't want to go on stage exhausted and weak.  It is also advised to be hydrated before, during and after this simple body warm up procedure.  

I'll not endorse any particular brand but you can find mini steppers on Ebay, tax and shipping free. Read the user reviews on Amazon to find a brand you think you can trust.




0 Comments

. . . with “Rhyme on My Hands,” a Tribute to Comic Songs

8/21/2016

0 Comments

 
A pudgy high-school kid who likes classical music isn’t bound for much of a social life, especially in the photogenic wilds of Fairfield County, Connecticut. Fortunately for Byron Nilsson, there was salvation. It came in the form of an LP he swiped from a radio station in nearby Danbury, an album on the back of which one song title was scribbled out, with the added inscription: “NOT SUITABLE FOR AIRPLAY.” The album was “Noël Coward in Las Vegas.” The song was “Uncle Harry.” The lyrics were mildly suggestive.

That Coward album – and a book of Tom Lehrer songs and recordings by Flanders & Swann – inspired a love of well-crafted light verse. Which means it rhymes. And can get a delightfully nasty before you realize it. Byron not only enjoyed those songs, he learned them. His social life didn’t improve, but he gained a measure of frightened respect.

“Rhyme on My Hands” is the latest excuse for a cabaret performance by Byron and his longtime musical director, Malcolm Kogut, spinning the fantastic story of how he weathered a life of scorn and heartache in order to sing these songs for you. Songs like “Lydia the Tattooed Lady,” “The Irish Ballad,” “The Sloth,” and “The Butler’s Song” will liven the proceedings.

The show takes place at 3 PM Sunday, January 2016, at the legendary Caffè Lena (47 Phila Street, Saratoga Springs) and tickets are available at brownpapertickets.com or by calling 1-800-838-3006. Their recent Valentine’s Day and Christmas shows played to sold-out houses, so they’re hoping they can inveigle an audience once more. Warm yourself on a chilly afternoon – or come see this show!
0 Comments
<<Previous

    Archives

    November 2019
    October 2019
    October 2018
    June 2018
    April 2018
    October 2016
    September 2016
    August 2016
    July 2016
    June 2016
    March 2016
    February 2016
    January 2016
    December 2015
    November 2015
    October 2015
    September 2015
    August 2015
    July 2015
    June 2015
    May 2015
    April 2015
    March 2015
    February 2015
    January 2015
    December 2014
    November 2014
    October 2014
    September 2014
    August 2014
    July 2014
    June 2014
    May 2014
    March 2014
    February 2014
    January 2014
    December 2013
    November 2013
    October 2013
    September 2013
    August 2013
    July 2013
    June 2013
    May 2013
    April 2013
    March 2013
    February 2013
    January 2013
    December 2012
    August 2012
    September 1990

    Categories

    All
    211
    5th
    94 Years Old
    Abraham Lincoln
    Aclu
    Addiction
    Adirondack
    Adirondacks
    African American
    Alcohol
    Algonquin Mountain
    Alta
    Altamont
    Amazing Grace
    Amsterdam
    Amy Prothro
    Anger Management
    Animals
    Announcement
    Anslinger
    Ant
    Anything Goes
    Apple
    A Quiet Place
    Arawak
    Arioso
    Arrangement
    Arrest
    Asbestos
    Assange
    Astrology
    Attendance
    Audition
    Avalanche Lake
    Avalanche Pass
    Bach
    #badpianochallenge
    Bad Piano Challenge
    Barter
    Bass
    Bath
    Beethoven
    Benefit
    Bieber
    Big Brother
    Bike
    B.I.N.G.O.
    Bird
    Birds
    Black Eyed Susan
    Blacks
    Blessed Assurance
    Blueberries
    Blue Danube
    Blues
    Boellmann
    Bone
    Booth Tarkington
    Boring
    Boundary Mountain
    Brace
    Brachiopod
    Braodway Diner
    Breast Cancer
    Bronze Star
    Brooklyn Bridge
    Buddha
    Budget
    Bulletin
    Bunessan
    Buxtehude
    Buying
    Byron Nilsson
    By The Light Of The Silvery Moon
    Caesars
    Campfire
    Canal Street
    Cantata
    Car Chase
    Carillon
    Carpal Tunnel
    Carpal Tunnel Syndrome
    Carpenter Ant
    Carrie Underwood
    Cat
    Catskills
    Charlie Haden
    Chobani
    Choir
    Choir Director
    Choosing A Church
    Choosing Music
    Choral
    Chord
    Christ
    Christian
    Christmas Eve
    Church
    Circus Musician
    City Lights
    Cliff Climbing
    Clouds
    Clubs
    Cocktail Piano
    Coffee
    Colden Mountain
    Cole Porter
    Colon
    Colony
    Columbus
    Columbus Day
    Come On Eileen
    Company
    Compassion
    Composer
    Congress
    Contracts
    Contrast Bath
    Convention
    Cookbook Of Love
    Cop
    Crane
    Crime
    Criminal
    Cross
    Cts
    Cuomo
    Cure
    Daisy
    Darlene Edwards
    Daughter
    Death
    Delphinium
    Devonian
    Dexys Midnight Runners
    Diamond
    Did You Ever See A Lassie
    Director
    Discount
    Dog Poop
    Dogs
    Dove
    Driving
    Drone
    Drop
    Drowned
    Drugs
    Drug Use
    Dss
    Duality
    Dwi
    Eagles Wings
    Earl Grant
    Earth
    East
    Easter Vigil
    Ego
    Elaine Stritch
    Elderly
    Ellenville
    Employee
    Encore
    Endurance
    Enlightenment
    Ergonomic
    Error
    Facebook
    Failing
    Failure
    Fakes
    Famm
    Fat
    Felon
    Feral
    Fifth Station
    First Presbyterian Church Gloversville
    Fishing
    Fitbit
    Five Foot Two
    Flight Of The Bumblebee
    Flood
    Flower
    Flowers
    Flute Sonata
    Folding
    Folk Group
    Food Network
    Food Stamps
    Forearm Rotation
    Forgiveness
    Fossil
    Fray
    Free Accompaniment
    Fugue
    Fugue In G Minor
    Funeral
    Gabriel
    Gang
    Ganglion Cyst
    Garden
    Gazebo
    GED
    Gender
    Get In The Way
    Gia
    Gideon Putnam
    Gloversville
    Gold
    Google Fiberinternet
    Gordian Knot
    Gossip
    Government
    Gps
    Grieg
    Growth
    Gun
    Gunks
    Gym Class
    Gymnopedies
    Hall Of The Mountain King
    Halloween
    Hanging Tree
    Harmony
    Harry Anslinger
    Hawk
    Heal
    Healing
    Heist
    Helderberg
    Here Comes The Bride
    Hero
    Hiking
    Hippopontamus
    Hire
    Hiring
    Hit
    Homeless
    Homily
    Horseshoe
    Horse Shoe
    Horse Trails
    Hosta
    Hotline
    House Breaking
    How Dry I Am
    HR
    Hudson River
    Humoresque
    Hymn
    Hymns
    Hymn Tune Index
    Ice Breaker
    Ice Caves
    Idol
    Iftheygunnedmedown
    If They Gunned Me Down
    Improvisation
    Improvising
    Indians
    Injuries
    Injury
    Inspiration
    Internet
    In Three Days
    Ipad
    Iroquois Peak
    Is A Ticket An Arrest
    It Factor
    Itsy Bitsy
    Itsy Bitsy Spider
    I Wonder As I Wander
    Jackie Davis
    Jack Reacher
    Javits Center
    Jazz
    Jazz Hymn
    Jazz Piano
    Jesus
    Jesus Dies On The Cross
    Jesus Falls The First Time
    Jesus Falls The Second Time
    Jesus Falls The Third Time
    Jesus Is Condemned To Death
    Jesus Is Laid In The Tomb
    Jesus Is Nailed To The Cross
    Jesus Is Stripped Of His Garments
    Jesus Is Taken Down From The Cross
    Jesus Meets His Mother
    Jesus Meets The Women
    Jesus Takes Up His Cross
    Jig
    Joan Rivers
    Jobs
    Join
    Joncas
    Jo Stafford
    Kaaterskill Falls
    Katz
    Knots
    Kogut
    Kogut Malcolm
    Kogut Rest Home
    Kokopelli
    Korsakov
    Kresmer
    La Guardia
    Lake Tear In The Clouds
    Land Slide
    Lanza
    Law
    Laws
    Leadership
    Lectionary
    Legalization
    Legalize Pot
    Legislator
    Lemon Squeeze
    Lesson
    Lifestring Theory
    Ligament
    Lighted Shirt
    Liquor
    Liturgy
    Living Room Routine
    Locks
    London Bridge
    London Bridge Is Falling Down
    Lord In Your Great Love
    L'organo Primitivo
    Lump
    Malcolm
    Malcolm Kogut
    Malcolm Kogut
    Mandela
    Manning
    Marcy Dam
    Marcy Lake
    Margaret Chin
    Marijuana
    Mark
    Marry
    Mary Had A Little Lamb
    Mass
    Mcconnell
    Mcconnelling
    #mcconnelling
    Mclaines Diner
    Medema
    Median Nerve
    Medical Marijuana
    Membership
    Memorization
    Memorize Music
    Memory
    Men
    Metanoia
    Metrical Index
    Ministry
    Minnewaska State Park
    Misdemeanor
    Mistake
    Mohawk River
    Mohonk
    Mohonk Mountain House
    Mom
    Moonlight Sonata
    Morning Has Broken
    Mother
    Mourning
    Mouse
    Movement
    Msuci
    Mt. Marcy
    Mud
    Murder
    Muscle
    Music
    Musician
    Musicians
    Musicians Of Ma'alwyck
    Myra Brooks Welch
    Nathaniel Cy Ingram
    Native Americans
    Nature
    Neck
    Newtown Ct
    Night Boat To Albany
    Nodule
    No Snitch
    Nouwen
    Nsa
    Nspl
    Nursery Rhyme
    N-word
    Ny
    Nyc
    Offend
    Offender
    Old Age
    Old MacDonald
    Olympics
    One Organ
    Opposite Direction
    Organ
    Organist
    Organ Music
    Origami
    Oscar Peterson
    Others
    Outdoor Cat
    Out Of Tune
    Outside
    Overture
    Pachelbel's Canon
    Park
    Paula Deen
    Paying Bills
    Pedestrian
    Performance
    Phantom
    Phantom Of The Opera
    Phlox
    Piano
    Pietro Yon
    Pipe Organ
    Piracy
    Planning
    Playing
    Plotterkill
    Plotter Kill
    Poem
    Poison
    Police
    Poor
    Pop Goes The Weasel
    Posture
    Pot
    Prayer
    Prayer Of St. Francis
    Prayer Of St. Francis
    Prayer Service
    Prejudice
    Priest
    Prison
    Psalm 69
    Public Assistance
    Racist
    Radio Station
    Ragtime
    Rainbow
    Rape
    Rebate
    Recital
    Registration
    Registry
    Release Barabbas
    Religion
    Representative
    Rest Home
    Revenge
    Right Of Way
    Rip Off
    Ritual Healing
    Robin Williams
    Rodgers
    Romans
    Romeo And Juliet
    Rope
    Rose Of Sharon
    Rotterdam
    Rotterdam Flats
    Running
    Rye Bread Music Festival
    Sacred Dance
    Salary
    Sales
    Salt And Pepper Shaker
    Salt Lake City
    Sandy Hook
    Santa Clara County
    Satie
    Save Money
    Saving Lives
    Scam
    Scar Tissue
    Schenectady
    Schumer
    Security
    Seek Ye First
    Senate
    Senator
    Service
    Sex
    Sexism
    Shaun White
    Shawangunk
    Sheet Music
    Shepherd Collie
    Shmaltz
    Shopping
    Shuffle
    Siciliano
    Silver Star
    Simon Helps Jesus Carry The Cross
    Sing
    Singing
    Six Feet
    Six Hands
    Sixties
    Skiing
    Skull Shirt
    Sky
    Slavery
    Slaves
    Slide
    Small Talk
    Smell Of Death
    Smithfield
    Snitch
    Snowbird
    Snowden
    Sochi
    Solitude
    Sondheim
    Song Introductions
    Sore Hands
    Soul
    Sound Activated
    Specs
    Spider Web
    Spirit Of The Living God
    Spiritual
    Spying
    Squat
    Stain Glass Windows
    Stalk
    St Annes Church7806578e0c
    State Fair
    Station Eleven
    Stations Of The Cross
    Stayin Alive
    Steamships
    Stop List
    Storyteller
    Story Telling
    Stretch
    Stride
    String Theory
    Suicide
    Suite Gothique
    Surely Not I
    Surveillance
    Sweet Georgia Brown
    Tahawus
    Taize
    Take The Pledge
    Target
    Ta Ta
    Tattoo
    Tchaikovsky
    Tendon
    Tendonitis
    Ten Little Indians
    Tennessee Ernie Ford
    Term Limits
    Terro
    Texting
    Thanksgiving
    Thatcher Park
    Thats Life5953658d17
    The Arrest
    Theater Organ
    Theatre Organ
    The Burial
    The Eighth Station
    The Fourteenth Station
    The Fourth Station
    The Ninth Station
    The Old Violin
    The Passion
    The Price Is Right
    The Seventh Station
    The Sixth Station
    The Sound Of Music
    The Tenth Station Of The Cross
    The Thirteenth Station
    The Twelfth Station
    The Wedding Song
    This Old Man
    Ticket
    Tickets
    Time Warner Cable
    Toast
    Toccata
    Toccata In D Minor
    Tom Savoy
    Tops Diner
    Torch Song
    Tornado
    Traffic
    Traffic Court
    Trail
    Traitor
    Transfiguration
    Trap Dike
    Trap Dyke
    Trees
    Trilobite
    Trumpet Vine
    Tunein
    Turkey Vulture
    Turning
    Twinkle
    Twinkle Twinkle Little Star
    Twitter
    Utah
    Veronica Wipes The Face Of Jesus
    Verse
    Victoza
    Vierne
    Volunteer
    Wachet Auf
    Walmart
    War
    Warm Up
    Warrant
    Waterfalls
    Water From Rock
    Webber
    Wedding Music
    Weed
    We Gather Together
    Weight-lifting
    Wells-ny
    West
    We-will-rest-in-you
    Whales
    Whistleblower
    Widors Fifth4386540bf6
    Widor Toccata
    Wild Sunflower
    William Tell Overture
    Witches
    Wlp
    Women
    World Library Publications
    Worse-piano
    Worst-piano
    Wrgb
    Wright Peak
    Wrist
    Wrist Pain
    Write
    Yogurt
    Youth
    Zenithink
    Zodiac
    Zugzwang

    RSS Feed

Powered by Create your own unique website with customizable templates.